Shut in ending

Nearly all the shut-in unconventional US wells will be back in production in September, according to a report from Rystad Energy. Based on early reports the wells are producing at about the level they were before the shut-in, plus a bit extra after operators open them up. The explanation is that when they turn off production on these single-zone horizontal wells, the bottomhole pressure builds up as gas continues to flow in from the formation.

If this is the case on a large scale, it will answer those who warned that shut-ins could damage wells. At the time those decisions were made, maximizing oil production was not the goal. Prices then were flirting with zero and oil demand was so low it was hard to find buyers or storage space. Since then prices recovered surprisingly fast, which has speeded the return of those shut-in wells.

What is not surprising to Thompson are the well results. Based on a petroleum engineering career spent modeling thousands of unconventional wells, many of which had been shut in, these results are in line with what he would have expected. He said there are some risks.

A rapid restart of a young well in an extremely-high-pressure formation, such as the Haynesville, might damage the fracture network, and the hardware in an extremely old well may suffer during a shutdown.

In both cases the risks can be avoided by excluding the young and extremely old wells when planning shut-ins. The restart risk for high-pressure wells can be mitigated by choking production.

Maintaining older wells can reduce the risks of their being compromised because their low production limits the potential loss. So far, restart data are thin. The latest production data are from June. And other than EOG, companies are saying little about their production restart volumes. When a well is shut in, gas continues to flow into the well, pushing up the bottomhole pressure. When the well is reopening, this reenergizes production. Also, as the pressure level rises, gas begins going back into solution in the oil.

Equipped with data on several wells, Hassan Dehghanpour, a professor at the University of Alberta, said he is working on an SPE paper analyzing what is going on at the reservoir scale which may offer insights on whether low-pressure gas injections could enhance production.

While researchers look for ways to eke out more oil from these fast-declining wells, high-volume drilling is still the only way to sustain production. As a result of the drop in drilling, shut-ins, and natural declines, she said US oil production will decline from Ongoing labor strikes have led to the operator shutting in four of its platforms. The complete paper describes the hurdles that have prevented single-trip installation of upper and lower completions in the complex world of subsea and deepwater applications and examines the processes, technologies, and risk-mitigation steps that took a concept from pilot to successful deployment.

The complete paper reviews the results of gas hydrate engineering and production testing studies associated with northern Canada and Alaska. Don't miss out on the latest technology delivered to your email weekly. Sign up for the JPT newsletter. If you are not logged in, you will receive a confirmation email that you will need to click on to confirm you want to receive the newsletter.

First name:. Last name:. Sign In. Toggle navigation. Topics: Production and well operations Reservoir management. While there was talk about shut-ins reducing production, the opposite has often been the case. Helms said it has gone as expected, as shown in a slide from an EOG presentation in May. Related Articles. Data Analytics 01 October Stephen is a troubled kid from Maine being sent to boarding school.

While his father, Richard Portman, is driving him there, they get into a bad argument, and the car swerves into oncoming traffic, killing Richard and putting Stephen in a vegetative state. Six months later, Richard's second wife and Stephen's stepmother, Mary, is taking care of his every need. Mary is a psychologist who works from home with children and adolescents. She is upset to learn that one of her patients, a deaf child named Tom, is to be transferred to a school in Boston.

Later, Mary discusses Stephen with her therapist, Dr. While she feels guilty, she has decided to put Stephen in a home to be cared for because he is no longer there and is just a body. She finds Tom asleep in her car. She brings him inside and makes a call, but Tom vanishes. The police conduct a fruitless search. Over the following nights, Mary wakes up to sounds in the house and even wakes up to see Tom in the darkness one night.

She discusses these events with Dr. Wilson, who attributes it to parasomnia. Wilson wants to prescribe her some medication and orders some blood work. Doug Hart, the father of one of her patients, asks her out, but Mary declines, implying that it would be unprofessional. Mary reconsiders and has dinner with Doug. Later, Stephen is missing from his bed. She finds a small door to a crawlspace and is grabbed from inside by two small hands.

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The next morning, she wakes up on the floor. Stephen is back in his bed but has scratches on his face. Mary gets two offers to leave her house before an impending snow storm, one from her assistant Lucy, and another from Doug, but declines both. Wilson contacts her via Skype with her blood work results.

He admonishes her because her stepson's medication is showing up in her blood. Mary denies taking any medication and walks away without ending the call. Wilson sees Stephen's empty wheelchair, then sees Stephen walk across the living room. The lights go out in the house and the computer connection drops.

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Mary is in the basement when the lights go out. Mary sees Tom, and just then, Stephen appears and knocks her out. Mary regains consciousness — bound, gagged, and naked in the bathtub, with Stephen bathing her. He reveals to Mary how he woke up in the hospital after the accident with her there. He didn't move or speak so that he could relish her attention. He believes that for six months they were happy together, but then Tom arrived.

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It is revealed that Tom has been living in the crawlspace, rather than having been transferred to Boston. When Tom saw Stephen moving around, Stephen blocked him in the crawlspace, hoping he would starve to death. Stephen was keeping Mary disorientated by slipping her his medicine, allowing him to walk around at night, but also confusing her whenever she saw Tom.

When Stephen goes to deal with Tom, Mary unties herself and drinks the bottle of soap to vomit up the medicine. Wilson rushes to Mary's house, but wrecks his car on the way. His attempt to call the police is unsuccessful due to the snow storm. Mary finds Stephen and Tom in the basement where Stephen is planning to murder Tom, and learns that Stephen killed his father on purpose.

Mary and Tom escape the basement and hide in a closet.See photos of celebrities like Scarlett Johansson and Leonardo DiCaprio before they hit the big-time, and revisit their earliest onscreen roles. See the full gallery. Steven is a troubled kid from Maine being sent to boarding school. While his father, Richard Portman, is driving him there, they get into a bad argument, and the car swerves into oncoming traffic, killing Richard and putting Steven in a vegetative state.

Six months later, Richard's mother, Mary, is taking care of his every need. Mary is a psychologist who works from home with children and adolescents. She is upset to learn that one of her patients, a deaf child named Tom, is to be transferred to a school in Boston. Later, Mary discusses Steven with her therapist, Dr. While she feels guilty, she has decided to put Steven in a home to be cared for because he is no longer there and is just a body.

Naomi Watts stars in this thriller as a psychologist who lost her husband in an accident and is tasked with caring for her wheelchair bound stepson. A young deaf boy is a new patient Jacob Tremblay and then strange things start happening.

The boy appears in the middle of night and noises surround the house on every level. What follows and the revelations that finally come satisfy the viewer's thirst for several good scares. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.

Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.Forgot your password? Don't have an account? Sign up here.

shut in ending

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shut in ending

It's low-key and modestly budgeted, but perfectly well made, and Watts maintains a cool and steady presence. Peter Bradshaw. There isn't one genuine thrill in the whole thing. I've had bigger scares from my goldfish bowl. Rex Reed.

shut in ending

As Mary loses sleep, her paranoia worsens, yet Christina Hodson's monotonous script fails to make Mary's psychological struggles feel any more severe than a case of misplaced keys. Zachary Shevich. Watts gives her all to this overheated nonsense, but is powerless to make emotional sense of what turns out to be the story's twisted central relationship, and ends up being just another fiercely maternal damsel in distress.

Mike D'Angelo. This hokey horror film should have stayed cooped up. Frank Scheck. In this achingly inept thriller, you will see Naomi Watts do what she can to sell a plot of such preposterousness that the derisory laughter around me began barely 20 minutes in. Jeannette Catsoulis. You will probably fall asleep before getting any sort of scare. Ricardo Gallegos.Frankly, the most surprising thing about the entire enterprise is that the wonderful actress Naomi Watts was somehow roped into starring in it, despite offering nothing of value for someone of her talents except a paycheck.

Watts plays Mary Portman, a child psychologist who lives and works in a remote corner of rural Maine. Six months later, Mary is caring for Stephen at home by herself, and, while she loves him, the pressure is clearly getting to her. Her Skype sessions with another shrink Oliver Platt are not helping. Before she can do much of anything, he just as quickly takes off into the frigid evening again and cannot be found.

A search for Tom goes on in earnest, and Mary is crushed with guilt over what has happened until strange things begin happening around the house.

While her psychiatrist friend suggests that she is suffering from the effects of parasomnia as the result of what has happened with both Stephen and Tom, she is convinced that something else entirely is going on. Good thing that a raging ice storm is bearing down on where she lives because absolutely nothing strange or bizarre would possibly happen when she was cut off from the outside world, right?

Watching the story unfold, you get the sense that first-time screenwriter Christina Hodson came up with the big final twist first and then decided to work backwards to construct a narrative that would fit it. There are two key problems with that approach. First, the big twist is so ridiculous that viewers will more likely find themselves laughing at its sheer silliness than reeling from its dramatic rug-pulling. Believe me, in this case, that gets really tiresome after a while.

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She has been in a lot of movies, some very good, some very bad but few which have given her as little to work with as this one does. She offers it her all, to be sure, but is incapable of overcoming the inanities of a screenplay so beneath her that there are times when it seems to be going out of her way to embarrass her—in one especially mortifying moment, we get to see one of the best actresses around kneeling in front of a toilet naked while chugging baby shampoo in order to help her induce vomiting.

Yes, it all makes sense in context, I suppose, but still Peter Sobczynski is a contributor to eFilmcritic. Naomi Watts as Mary Portman. Oliver Platt as Dr.

Jacob Tremblay as Tom Patterson. Charlie Heaton as Steven Portman. Reviews Shut In.Bet365 Radio Betfair Radio Ladbrokes Radio Paddy Power Radio Stan James Radio William Hill Radio Bet365 Radio Betfair Radio Ladbrokes Radio Paddy Power Radio Stan James Radio William Hill Radio Bet365 Radio Bet365 Radio streams the radio service provided by Media On Demand, a specialist in providing live audio commentary for a variety of sports.

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